Pitchfork has published Molly Mary O’Brien’s review of Gracie Abrams’ third album, Daughter From Hell. The piece focuses on the new release as a key moment in Abrams’ development, highlighting the attention around how her writing has changed on her latest project.
According to the story snippet, Abrams recently discussed the album in a Popcast interview and said her songwriting style has shifted. She described approaching songs from a place of greater age and awareness, with more consideration for how other people might feel.
That context shapes the review’s frame around Daughter From Hell, positioning the album as part of a broader artistic transition. Rather than simply presenting new material, the record appears tied to Abrams’ evolving perspective on relationships, emotion, and the responsibility that can come with writing personally.
With Pitchfork’s review, the conversation around Daughter From Hell extends beyond a standard release-week reaction and into a closer look at how Abrams is refining her voice on her third album. The review places that growth at the center of its assessment of the project.
